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Information systems --- Moyens d'enregistrement optique --- Optical storage devices --- Optische opslagmedia --- Tekstverwerking (Informatica) --- Text processing (Computer science) --- Traitement de textes (Informatique) --- 681.3*I7 --- Text processing (Computing methodologies)--See also {681.3*H4} --- 681.3*I7 Text processing (Computing methodologies)--See also {681.3*H4} --- Processing, Text (Computer science) --- Database management --- Electronic data processing --- Information storage and retrieval systems --- Word processing --- Computer storage devices --- Computers --- Laser recording --- Optical equipment --- Optical storage devices.
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When Joseph Conrad’s novel Chance appeared in serial form in the New York Herald in 1912 and in book form in 1914 it established the author’s financial security for the first time. Following years of struggle to reach a wide audience for his fiction, Conrad benefitted from the American marketing of this novel for the women readers of romance. Aggressive advertising promoted the writer’s new focus on a female protagonist and Conrad’s division of the story’s location between land and sea. The novel proved popular and lucrative. Yet in spite of its economic success, Chance remains one of Conrad’s less well-known narratives. This fresh new collection of essays from both young and established scholars opens up a lively critical debate taking Chance beyond the status of best-selling romance. In a striking re-evaluation of the novel these writers examine Chance ’s innovative narrative strategies, its up-to-the-minute commentary on female politics, contemporary ethics, as well as its antecedents in classical debate and the significance of Conrad’s last use of his seaman narrator Marlow.
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Objects of beauty and prestige with their rich colour and fine detail, early Netherlandish oil paintings were among the most sought-after works of the Renaissance. Beginning in the early fifteenth century with Jan van Eyck, and ending in the early sixteenth century with the career of Pieter Bruegel, Susan Frances Jones explores the roles played by paintings in political, domestic, religious and secular contexts during this gloriously innovative period. She draws on the National Gallery's remarkable research into materials and techniques to describe how painters' working and creative practices changed and shifted, and examines whether Northern European artists, like some of their Italian counterparts, laid claim to intellectual as well as artistic sophistication. Exhibition: National Gallery, London (23.02 - 30.05.2011).
Painting --- National Gallery [London] --- anno 1400-1499 --- anno 1500-1599 --- Belgium --- Netherlands --- Painting, Netherlandish --- Painting, Renaissance --- Painting, European --- Exhibitions --- Paintings, Renaissance --- Renaissance painting --- Netherlandish painting --- Renaissance --- Gossaert, Jan --- Eyck, van, Jan --- Painting, Netherlandish. --- Northern Renaissance --- Painting, Flemish --- Nederlandse school
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This volume documents the Art Institute of Chicago's significant - yet relatively unknown - collection of French, Spanish, Netherlandish, English, and German paintings created before 1600. More than one hundred works, including altarpieces, private devotional works, portraits, and landscapes by such masters as Lucas Cranach, Gerard David, El Greco, Jan Gossart, and Rogier van der Weyden, receive their first in-depth analysis. More than 350 images - including comparative illustrations of underdrawings, reconstructed ensembles, and related works - accompany the entries.
Painting --- Art Institute of Chicago --- anno 1400-1499 --- anno 1500-1599 --- Spain --- Europe: North --- The Art Institute of Chicago --- schilderijen --- middeleeuwen --- Noord-Europa --- Spanje --- Painting, European --- Painting, Renaissance --- Oil painting --- Painting, Primitive --- Paintings --- Graphic arts --- Paintings, Renaissance --- Renaissance painting --- European painting --- Art Institute Chicago --- Chicago. Art Institute --- Musée de Chicago --- Shikago Bijutsukan --- Chicago Academy of Fine Arts (1879-1882) --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- Art institute (chicago, ill.) --- Painting, Northern European --- Painting, Spanish --- The Art Institute of Chicago. --- schilderijen. --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak). --- Noord-Europa. --- Spanje.
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Religion. --- Cults. --- Rites and ceremonies. --- Religion --- Cultes --- Rites et cérémonies --- Durkheim, Émile, --- #SBIB:316.20H32 --- #SBIB:316.331H200 --- 316.2 DURKHEIM, EMILE --- Totemism. --- Ceremonies --- Cult --- Cultus --- Ecclesiastical rites and ceremonies --- Religious ceremonies --- Religious rites --- Rites of passage --- Traditions --- Ritualism --- Manners and customs --- Mysteries, Religious --- Ritual --- Alternative religious movements --- Marginal religious movements --- New religions --- New religious movements --- NRMs (Religion) --- Religious movements, Alternative --- Religious movements, Marginal --- Religious movements, New --- Religions --- Sects --- Endogamy and exogamy --- Ethnology --- Mythology --- Taboo --- Religion, Primitive --- Atheism --- God --- Irreligion --- Theology --- De sociologie van Emile Durkheim: secundaire bronnen --- Godsdienstsociologie: theorieën: algemeen --- Sociologische richtingen. Sociologische scholen. Sociologen--DURKHEIM, EMILE --- Durkheim, Emile, --- Durkheim, Émile, --- 316.2 DURKHEIM, EMILE Sociologische richtingen. Sociologische scholen. Sociologen--DURKHEIM, EMILE --- Rites et cérémonies --- Cults --- Rites and ceremonies --- Totemism
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